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Major sources for this information are Daniel Trenner's Spanish-English Dance Vocabulary, Cyber-Tango's FAQ - Definition of Tango Terms, Tango Times published by Danel and Maria, Mrs. Debbie Goodwin, señor Mario Poli, señor Alberto Paz, Mr. The man returns to outside right position and either continues the figure or walks the lady to the cross. Caminar — To walk: The walk is similar to a natural walking step, but placing the ball of the foot first instead of the heel.Barbara Garvey, señora Nora Dinzelbacher, señor Orlando Paiva, Mrs. Sometimes taught that the body and leg must move as a unit so that the body is in balance over the forward foot. An example of an amague may be a beat (frappé) before taking a step. Apilado Style — Piled on: As used in tango, the reference is to the way a jockey is "piled on" his horse, when racing—hugging the neck. Sometimes referred to as the Stork when the lady’s leg is lifted in the cuatro position. Agujas — Needles: An adornment for the man done with the working foot vertical with the toe into the floor while pivoting inside a molinete. Amague — (from amagar - to make a threatening motion) a feint: An amague is used as an embellishment either led or done on one’s own, and may be used before taking a step. May also refer to a subtle shifting of weight from foot to foot in place and in time with the music done by the man before beginning a dance to give the lady the rhythm he intends to dance and to ensure that she will begin with him on the correct foot. Caida — Fall: A step in which the man steps backward, sinks on his supporting leg, and crosses his working leg in front without weight while leading the lady to step forward in outside position, sink on her supporting leg and cross her working leg behind without weight. Calesita — Carousel; the merry-go-round: A figure in which the man places the lady on one foot with a lifting action of his frame and then dances around her while keeping her centered over, and pivoting on, her supporting leg.
Bailarin — A professional or very accomplished dancer. Barridas are done from either the outside or the inside of the foot of the receiving party. There are several basic patterns, the most common of which is the 8-count basic. Cabeceo — (from cabeza; head): Traditional technique for selecting dance partners from a distance at the milongas in Buenos Aires by using eye contact and head movements. Cadena — The chain; enchainement: An athletic and very theatrical turning figure which moves rapidly across the floor turning left or right, in which the couple alternate amagues (cuatros) or ganchos.
Walks should be practiced both forward and backward for balance, fluidity, and cat-like gracefulness.
Candombe — A type of dance originally danced by the descendants of black slaves in the Rio de la Plata region and still performed in Montevideo, Uruguay.
Compadre — A responsible, brave, well behaved, and honorable man of the working class who dresses well and is very macho. The walking count or impulse of each measure, the simplest element of each piece of music. Confiteria Bailable — A café like establishment with a nice atmosphere where one can purchase refreshments and dance tango.
Compadrito — Dandy; hooligan; street punk; ruffian. A nice place to meet friends or a date for dancing.
For instance right foot steps forward, left foot locks behind right. This can be done in single or double time, in one instance or repetitively. Crossed Feet — Occurs whenever the couple are stepping together on his and her right feet and then on his and her left feet, regardless of direction. Cruzada — From cruzar - to cross; the cross: A cruzada occurs any time a foot is crossed in front of or in back of the other. Large dramatic ones are used for stage or fantasia dancing, smaller softer versions occasionally in Salon style, and not used in Milonguero style at all. Cuatro — A figure created when the lady flicks her lower leg up the outside of the opposite leg, keeping her knees together, and briefly creating a numeral 4 in profile. A lifting of the lady’s foot with a gentle scooping motion by the man’s foot to the lady’s shoe, usually led during forward ochos to create a flicking motion of the lady’s leg. Cunita — Cradle: A forward and backward rocking step done in time with the music and with or without chiches, which is useful for marking time or changing direction in a small space. The figure may be danced into or out of at various points and is not always entered at the beginning and there are shortcuts within the 8-count basic.